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Selimiye Mosque (Selimiye Camii), (at the central square). That mosque which dominates the skyline of the city, built on a slightly higher hill than its surroundings, although a play on dimensions makes the exterior sight of the building smaller as you get closer to it. A grandiose piece of art by Sinan, the Ottoman architect of 16th century, Selimiye is usually considered the zenith of Ottoman architecture and has been listed as a World Heritage site by UNESCO in 2011. Sinan himself considered this building as his best work. The dome of the building, which hangs high over main hall, encloses a huge space which gives the place an expansive atmosphere, had the largest diameter (31.28 mt) of all domes in the world for several centuries. And its minarets (towers) are the second highest minarets (70.89 mt) in whole world, surpassed only by Qutb Minar (72.50 mt) in Delhi, India. The mosque has 999 windows in total, which according to its architect Sinan, symbolize the perfectness of God. The dome and interior walls are decorated with calligraphy and geometrical designs, most of which are painted in hues of pink and blue. If you have admired Blue Mosque (Sultanahmet Mosque) of Istanbul, you’ll sure adore this one, since Blue Mosque is quite a copy of Selimiye. The upside down tulips, which are some sort of symbol of Edirne have their origin in a tulip illustration engraved on a marble in the fountain right under the central dome of Selimiye. It is believed to symbolize the landlord of the tulip garden on which the mosque was built, who was said to be reluctant to give over his garden. There is a small museum in the courtyard with no admossion fee. Very interesting knick-knacks can be seen there
Old Mosque (Eski Cami), (at the central square, across the street from Selimiye). The smallest—and the oldest—one of three nearby, imperial mosques in downtown Edirne, it’s known for its calligraphic inscriptions on its interior walls with a small central dome atop
Üç Şerefeli Mosque (Üç Şerefeli Cami), (just north of Old Mosque, close to Selimiye). This mosque is easily recognizable, having four distinctive minarets that all have very different designs, uncommon during the 15th century, one of which has three balconies, giving it its name which literally means “three balconied”. Long undergoing restoration, interior of the mosque, which features a colourfully decorated central dome, smaller surrounding domes of varying sizes each featuring a different colour pattern, and very stately columns supporting them, has recently been re-opened to visits. The overall experience of this colourful mosque is perhaps best summarized as “joyful”.
Macedonian Tower (Makedonya Kulesi), (just across the side street from Üç Şerefeli). The sole still intact tower of Edirne’s city walls, named as such perhaps because it roughly watches the direction of Macedonia, or because of the former definition of “Macedonia” which extends all the way to Edirne. A round and robust tower, not unlike Thessaloniki’s White Tower except its colour, and next to it is the last visible section of city walls, now surrounded by a nicely landscaped park. It’s possible to enter the tower itself, but impossible to climb upstairs. It’s located in a back alley, so while you are near the Üç Şerefeli, look around on the top of buildings to see the flag on a tower made of red-brick if you can’t exactly locate it. The tower also served as a clock tower until 1953, when the upper part of the tower was demolished because of the danger of collapse
Sarayiçi. Upon crossing a long bridge over the Tundzha, you will arrive on an island surrounded by two branches of the Tundzha (though not immediately recognizable as such while you are actually on it). A modern stadium in which annual wrestling competitions take place, surrounded by some statues of champions of past years will welcome you to this island. Just next to it is the Justice Tower (Adalet Kasrı), a sturdy square tower and the sole completely intact remnant of former imperial palace of Ottomans here. Next to the Tower, a smaller bridge on the narrower branch of the river surrounded by some centuries-old ash trees will take you back to the “mainland”. Here at your right, about 100 metres away, is the monument to the soldiers fallen at the Siege of Edirne in 1913 (Monument to the Martyrs of Balkan War/Balkan Savaşı Şehitliği). The monument itself, which is a recent construction with an older one hidden behind the bushes nearby, is nothing very interesting, typical of many such Turkish monuments built to commemorate World War I and previous battles in, say, Gallipoli. However the site is actually mass grave of an estimated 30,000 soldiers, so appropriate respect should be shown. Further away from the river is the ruins of a number of buildings of the former palace scattered around the fields, which had the unfortunate service as an arsenal during the siege of 1913, and had been blown up in order not to fall in hands of Bulgarians, the opposite side of the battle. Although the place had lost the distinction of being a capital in 15th century, it was still the favourite summer retreat of Ottoman dynasty, featuring numerous hunting manors on the edges of the actual palace. Ruins are now undergoing a slow restoration (or perhaps reconstruction), with the imperial kitchen has returned to its pre-1913 appearance recently. An illustration in front of the gate of the palace building—the only part of the building that escaped the blast—may help you envisage what the palace looked like.